Freitag, 17.06.2016 //
Book preview with Morehshin Allahyari & Daniel Rourke
In March 2015 Morehshin Allahyariand Daniel Rourke released The 3D Additivist Manifesto: a call to push technologies to their absolute limits and beyond into the realm of the speculative, the provocative and the weird. In Autumn 2016 they will publish a 3D Additivist Cookbook of blueprints, designs, 3D print templates, and essays from over 100 world-leading artists, makers and theorists. The Cookbook will include works exploring environmental activism, digital materiality and speculative design, as well as propositions that are antagonistic to the timescales, infrastructures, and social givens layered into every 3D print.
Organized by Cyborgs e.V. – Gesellschaft zur Förderung und kritischen Begleitung der Verschmelzung von Mensch und Technik
The 3D printer is a profound metaphor for our times. A technology for channelling creative endeavour, through digital processes, into the layering of raw matter excavated from ancient geological eras. Considered as a tool for art, design and engineering, and gesturing towards a forthcoming era of synthetic chemistry and biological augmentation, 3D fabrication technologies are already a site of common exchange between disciplines and forms of materiality.
3D fabrication can be thought of as the critical framework of #Additivism: a movement that aims to disrupt material, social, computational, and metaphysical realities through provocation, collaboration, and ‘weird’ / science fictional thinking. Additivism embraces the 3D Printer in the same way that Donna Haraway embraced the figure of the Cyborg in her influential text A Cyborg Manifesto (1983). By considering the 3D printer as a technology for remodelling thought into profound, and often nightmarish, new shapes. Additivism aims to expose inbetweens, empower the powerless, and question the presupposed.
#Additivism is a collaboration between artist and activist Morehshin Allahyari and writer/artist Daniel Rourke. Morehshin Allahyari’s work with 3D printing, especially her ‘Dark Matter’ and ‘Material Speculation: ISIS’ series, focuses on the poetic relationship between 3D printing, plastic, oil, jihad and Technocapitalism and their relationship to activism and the political conditions of our time. Daniel Rourke’s written and artistic work investigates speculative and science fiction in search of a radical ‘outside’ to the human(ities), including extensive work on the intersection between digital materiality and the arts.